-作者简介- 莫里斯·布朗肖（Maurice Blanchot，1907—2003），法国作家、文论家和批评家。布朗肖早年于斯特拉斯堡大学学习哲学，并与一生的挚友伊曼纽尔·列维纳斯相遇。布朗肖的写作始于1930年代，1941年出版第一部小说《黑暗托马》。1946年起，布朗肖隐居于地中海沿岸的埃兹村，写下《死亡判决》《最后之人》《火部》《洛特雷阿蒙与萨德》等书。返回巴黎后，布朗肖凭借《文学空间》《未来之书》《无尽的谈话》等一系列文学批评作品在法国思想界确立了重要地位，其文学和哲学理论影响了列维纳斯、巴塔耶、萨特、福柯、德里达、南希等思想家。 -译者简介- 尉光吉，中国人民大学文学院副教授，著有《沉默与死亡：布朗肖思想速写》，编有《永远的见证人：布朗肖批评手册》《对诗歌的反叛：安托南·阿尔托文集》《最后的言者：为了保罗·策兰》等书，译有《无尽的谈话》《内...(展开全部)

-作者简介- 莫里斯·布朗肖（Maurice Blanchot，1907—2003），法国作家、文论家和批评家。布朗肖早年于斯特拉斯堡大学学习哲学，并与一生的挚友伊曼纽尔·列维纳斯相遇。布朗肖的写作始于1930年代，1941年出版第一部小说《黑暗托马》。1946年起，布朗肖隐居于地中海沿岸的埃兹村，写下《死亡判决》《最后之人》《火部》《洛特雷阿蒙与萨德》等书。返回巴黎后，布朗肖凭借《文学空间》《未来之书》《无尽的谈话》等一系列文学批评作品在法国思想界确立了重要地位，其文学和哲学理论影响了列维纳斯、巴塔耶、萨特、福柯、德里达、南希等思想家。 -译者简介- 尉光吉，中国人民大学文学院副教授，著有《沉默与死亡：布朗肖思想速写》，编有《永远的见证人：布朗肖批评手册》《对诗歌的反叛：安托南·阿尔托文集》《最后的言者：为了保罗·策兰》等书，译有《无尽的谈话》《内...(展开全部)

In "Lautreamont and Sade," originally published in 1949, Maurice Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism. Today, Lautreamont and Sade, these unique figures in the histories of literature and thought, are as crucially relevant to theorists of language, reason, and cruelty as they were i...(展开全部)

In "Lautreamont and Sade," originally published in 1949, Maurice Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism. Today, Lautreamont and Sade, these unique figures in the histories of literature and thought, are as crucially relevant to theorists of language, reason, and cruelty as they were i...(展开全部)

In "Lautreamont and Sade," originally published in 1949, Maurice Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism. Today, Lautreamont and Sade, these unique figures in the histories of literature and thought, are as crucially relevant to theorists of language, reason, and cruelty as they were i...(展开全部)

In "Lautreamont and Sade," originally published in 1949, Maurice Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism. Today, Lautreamont and Sade, these unique figures in the histories of literature and thought, are as crucially relevant to theorists of language, reason, and cruelty as they were i...(展开全部)

«La littérature est l'essentiel, ou n'est rien. Le Mal - une forme aiguë du Mal - dont elle est l'expression, a pour nous, je le crois, la valeur souveraine. Mais cette conception ne commande pas l'absence de morale, elle exige une "hypermorale". La littérature est communication. La communication commande la loyauté : la morale rigoureuse est donnée dans cette vue à partir de c...(展开全部)

«La littérature est l'essentiel, ou n'est rien. Le Mal - une forme aiguë du Mal - dont elle est l'expression, a pour nous, je le crois, la valeur souveraine. Mais cette conception ne commande pas l'absence de morale, elle exige une "hypermorale". La littérature est communication. La communication commande la loyauté : la morale rigoureuse est donnée dans cette vue à partir de c...(展开全部)